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Acknowledgement of Traditional Custodians

We pay our respects to the Aboriginal and Torres Strait Islander ancestors of this land, their spirits and their legacy. The foundations laid by these ancestors give strength, inspiration and courage to current and future generations, both First Nations and non-First Nations peoples, towards creating a better Queensland.

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  • 2025
  • World Premiere of The Drover's Wife – The Opera Coming to QPAC's New Glasshouse Theatre

World Premiere of The Drover's Wife – The Opera Coming to QPAC's New Glasshouse Theatre

Mon 4 Aug 2025
The Drover’s Wife – The Opera

Queensland Performing Arts Centre (QPAC), in association with Opera Australia and Oombarra Productions, today announced The Drover’s Wife – The Opera would have its world premiere in QPAC’s new Glasshouse Theatre from 13 to 22 May 2026.

Co-commissioned by QPAC and Opera Australia, The Drover’s Wife – The Opera is a monumental new work based on the play, novel and film by one of Australia’s leading artists, Leah Purcell AM, who has written the libretto with George Palmer AM, and will direct the season. 

The Drover’s Wife is a short story written by Australian writer Henry Lawson and was adapted and reimagined into a play by Purcell that premiered at Belvoir in 2016.  Purcell’s novel The Drover’s Wife The Legend of Molly Johnson was published in 2019, and the film of the same name was released in Australia in 2022.

With a ravishing score, also written by Palmer and performed live by Queensland Symphony Orchestra, this new version reveals the symphonic soul of Purcell’s modern classic in its most expansive telling yet. 
 
Queensland’s own award-winning soprano Nina Korbe – who recently appeared as Maria in West Side Story on Sydney Harbour – will take on the titular role of Drover's Wife Molly Johnson. 

With her husband away droving sheep, a heavily pregnant Molly is left alone to care for her children in a remote Snowy Mountain shanty, where between the bullocks and hostile travellers on her doorstep, she faces no shortage of threats.

Fellow Queensland singer-songwriter Marcus Corowa (Opera Queensland’s Festival of Outback Opera, Beautiful: The Carole King Musical, Opera Australia’s Bran Nue Dae) will play Yadaka, an Aboriginal man evading colonial authorities, who disrupts Molly’s hard-won sanctuary.

Under the baton of Conductor Tahu Matheson, luscious orchestrations will capture the beauty and violence of the Australian High Country, where grand opera traditions will meet contemporary First Nations storytelling.

The unforgiving Snowy Mountains will be realised by Set Designer Isabel Hudson and Costume Designer Tess Schofield, with Lighting Designer Karen Norris and Sound Designer Michael Waters. 

The full cast, including six dancers under the direction of Choreographer Yolande Brown (Bangarra Dance Theatre), will be announced soon.

Approached to adapt the work by Palmer after he spotted the novel on his wife’s bedside table, Purcell said The Drover’s Wife had been in her heart since 1975, but the desire to bring the story to life began in 2014, taking shape across many genres and platforms. 

“The intensity and scale of this Australian story makes it ripe for an operatic retelling, I’ve enjoyed the challenge. While this opera may not follow traditional expectations, it will offer something uniquely Australian – bold, grounded and full of heart,” Ms Purcell said.

“I’ve loved diving back into The Drover’s Wife and looking at how we can use the libretto, First Nations language and the full might of an orchestra to take the storytelling to the next level and distinguish this version from its predecessors.

“I want people to say, ‘I’ve read the book, I’ve watched the movie and now I’m seeing the opera’.”

Palmer said he wanted to write an opera that was quintessentially Australian, both in its subject matter and musical expression, and the powerful drama of The Drover’s Wife play provided the perfect vehicle.

“The opera is a confluence of the First Nations tradition of chant and dance and the western operatic tradition. Those traditions, each true to itself, come together without losing their identities and each complements the other, adding textural and contextual richness to the music and the story,” Mr Palmer said.
 
QPAC Chief Executive Rachel Healy said the world premiere of The Drover’s Wife – The Opera was a highlight of the Glasshouse Theatre’s opening program.

“The Glasshouse opens as a space for stories that matter, and Leah Purcell’s celebrated take on The Drover’s Wife is exactly that; Leah's vision and voice, paired with George Palmer’s evocative score, promises to deliver a work that is visceral, unflinching and stirringly Australian. It’s a fitting beginning for a theatre built to hold the weight of powerful stories and thrilling performances,” Ms Healy said.

“Following an encore season of Leah’s lauded Is That You, Ruthie? earlier this year and the epic ambition of Wagner’s Ring Cycle with Opera Australia in 2023, we are thrilled to be uniting a team of our regular collaborators to again create work of national significance that Queenslanders will see first.”

Opera Australia Acting CEO Simon Militano said “We’re proud to have co-commissioned this extraordinary piece of work with QPAC. These incredibly talented artists have created a uniquely Australian opera that bridges operatic tradition with contemporary Australian tradition and will be a highlight of OA’s 70th anniversary season in 2026.”

Minister for Education and the Arts John-Paul Langbroek said the world premiere of The Drover’s Wife – The Opera at Glasshouse Theatre in 2026 is the first of a broader opening program which will welcome audiences into the new theatre.

“This powerful operatic retelling of The Drover’s Wife by master storyteller Leah Purcell AM will provide Queenslanders with access to a bold new opera in an extraordinary theatre environment,” Minister Langbroek said.

“With its advanced technical capabilities, exceptional acoustics and orchestra pit, the state-of-the-art Glasshouse Theatre provides the perfect stage for this new large-scale work featuring the talents of many Queensland artists and creatives.

“I look forward to announcing the full exceptional and exclusive opening program for the Glasshouse Theatre in the coming weeks.”

The Drover’s Wife - The Opera is co-commissioned by QPAC and Opera Australia. It is based on The Drover’s Wife play, originally commissioned and produced by Belvoir in association with Oombarra Productions through the Balnaves Foundation Indigenous Playwright’s Award.

Due for completion at the end of the year, the 1,500-seat Glasshouse Theatre will open to the public in 2026, joining the Playhouse, Lyric, Concert Hall and Cremorne Theatre, and making QPAC the largest performing arts centre in Australia under one roof.

Tickets to the QPAC season of The Drover’s Wife – The Opera will go on sale Wednesday 6 August 2025 via qpac.com.au.

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