Story is for the creative and curious. For people who believe stories matter. The ideas, people, musings and moments assembled are an invitation to use art as a lens to know yourself; see others and imagine possible futures.
Art is integral in our society. Often the focus is on how art makes us feel: inspired, uncomfortable, excited, challenged, relaxed. More than that, the arts help us to make sense of the world around us, to make sense of each other, to find meaning and help create harmonious communities. Learning through the arts enables students to discover and develop empathy, to be problem solvers able to think creatively and to be resilient.
Inside these pages, and beyond through The Creatory, we bring together ideas, people, musings and moments so that we may know ourselves better, see others and imagine possible futures.
This edition of Story pulls the idea of resistance apart and looked at it from multiple perspectives. To resist, in whatever form, implies action of one kind or another. To actively put up a fight against something, a political regime, dubious big business or a perceived social ill is taxing. Certainly in this moment and political environment, resistance is most frequently thought of in the context of large-scale public protest. But the more you ponder resistance, the more complex and slippery it gets.
Change or metamorphosis is the driving idea behind this edition of Story. It began as an observation of how many elements of the upcoming program started life in another art form – novels transformed to musical theatre and dance, television transformed to live performance, rock album to rock opera. In addition to changing form, many of the works address deeper issues of transformation.
In this edition of Story, one of the most enduring kinds of story looms large – fairy tale – inspired in large part by our presentation of Ballet Preljocaj’s Snow White.
As well as fairy tales, across our program over the second half of 2016 are productions that explore religion, spirituality, ritual, symbol and morality.
This edition of Story is inspired by QPAC's January to June 2016 program. Many of the contributors touch on the idea of place and what it means to belong somewhere.
We spend 5 minutes with John Cameron Mitchell, writer, director, actor and co-creator of the cult musical Hedwig
Brisbane artist, John Doherty, shares his collection of art works with Story and showcases how therapeutic the process of painting is for him
An artist, educator and activist, Noni Hazlehurst considers ideas of madness from her role in Mother and as an individual of our society today
From Saturday Night Live to winning an Academy Award, the effervescent Douglas McGrath shares his story as the writer of Beautiful
Guy Rundle presents a psychoanalytic examination of 20th century wars and its impact on mankind’s destructive drives
Wagnerian soprano Lisa Gasteen AO speaks about the delights and challenges of opera and the elite opera coaching school she founded
An inquiry into our understanding of madness and the diagnoses made throughout history, especially of women, a gender subjected to description by male experts and thinkers
Dallas John Baker on his play Ghosts of Leigh, and his reflections on Leigh Bowery as an influential figure for those who embark on the road from normal
Arnold Zable writes about the fragility of fate, the power of storytelling and the price of serendipity
Thomas Schumacher shares his thoughts on serendipity, the importance of creativity and the art behind Disney characters
Mystic Medusa, Dr Rachael Kohn, Maria Lewis share their take on the concept of luck in relation to their line of work
Paul Grabowsky AO discusses the allure of improvisation and serendipitous moments of jazz music
Teaching Artist Sandi Woo recalls the extraordinary story of 3 separated siblings reuniting at the We All Dance project
Jarjums Life Museum is a museum made by Aboriginal and Torres Strait Islander Jarjums
Professor Judith McLean delves into the topic of the desire for opportunity and probabilities of favourable odds for the prepared mind
Just about every Australian has heard about the Dreamtime. But if I were to mention a songline, what would my luck be like in finding an Aussie who could put a hand up to say, “yep, I know what you mean”?
We spend 5 minutes with cast of American Idiot, musician and singer-songwriter Sarah McLeod
Kinky Boots director and choreographer Jerry Mitchell discusses the story that captured his imagination, and why he thinks art can change the world
Eadric Ayres considers the importance and magic of music in not just telling the story of our lives, but also in shaping who we are
Professor Jacqueline Rose explores the push and pull of resistance from politics across literature, feminism and psychoanalysis
Journalist Kathleen Noonan at Yeronga State High’s Yconnect project that measures the impact of arts and cultural participation for young people
We spend 5 minutes with songwriter, performer, author, activist and provocateur Cyndi Lauper
Craft has a long history as a tool for the expression of political dissent. Betsy Greer, Sarah Corbett and Rachel Burke share their stories of craft activism
Professor AC Grayling traverses multiple disciplines to explore the idea of change at this moment in our history
Deconstructing and reconstructing ballet shoes with Queensland Ballet’s Lisa Edwards
With more than 50 years as a professional artist and 50 million albums sold, Suzi Quatro continues to delight in creating music.
Is there a link between what we like to eat, and what types of music or live performance we prefer?
25 years ago the Mabo Case rewrote Australian law and recognised the existence of native title
Community and economic development scholar Carl Grodach weighs in on the conversation
Interview with award winning French choreographer and artistic director of Ballet Preljocaj, Angelin Preljocaj
Award winning poet Samuel Wagan Watson reflects on the South Brisbane of his childhood and his family’s history in the place where QPAC now stands
QPAC invited Peter Sellars to an intimate interview where our leading question was whether or not the audience is always right. This sparked a wide ranging conversation between Peter and interviewer Gordon Hamilton